WELCOME!

The Antigravity Academy
Screenwriters Camp

- an incubator for 1st-time filmmakers.


Sponsored by



🏕️🔦🔥🥾🎒🛶

APPLICATIONS OFFICIALLY
CLOSED

on
JANUARY 30th, 2024
at 11:59pm (PT).



Are you a first-time filmmaker ready to share your story?

The Antigravity Academy Screenwriters Camp is a program designed to help up to five emerging filmmakers (or writing teams) develop and package their first features. 

The program will be run by Abiram Brizuela, former Director of Artist Community at the Sundance Institute. It will consist of a week-long residential intensive in May, followed by five monthly virtual workshops and a month of industry exposure. Upon completion, participants will have a new draft of their screenplay, a first-look deal for production financing from Unapologetic Projects and a commitment from Antigravity Academy to help them usher their projects into the market.

Are you interested in applying?

-A finished draft of a feature screenplay is required as well as a short video introduction to the applying filmmaker (or writing team).

-Only filmmakers with no previously produced feature films will be considered.

-All applicants must be over 18 and able to attend the in-person intensive in Lake Arrowhead, CA from Friday, May 24th-Wednesday, May 29th 2024.

-All travel and lodging expenses will be covered by Antigravity Academy.

KEY DATES

SUBMISSIONS OPEN:
DECEMBER 30, 2023 AT 10AM PT


Submissions close:
January 30, 2024 at 11:59pm PT

Finalists selected:
February 20, 2024

Interviews with finalists:
March 8-12, 2024

Announcement of 5 filmmakers:
March 15, 2024

Dates of intensive:
Friday, May 24th - Wednesday, May 29th 2024.

Dates for 5 meetings:
June - October ‘24
(exact dates TBD)

Industry week + presentation of final projects:
November’ 24



FAQs:


The Antigravity Academy
Screenwriters Camp

- an incubator for 1st-time filmmakers.


🏕️🔦🔥🥾🎒🛶

Can anyone apply?
Only filmmakers with no previously produced feature films can apply. All applicants must be over 18 years old and current residents of the United States. A finished draft of a feature screenplay is required to apply.

Do applicants need to be US citizens?

Citizenship is NOT a requirement to apply.

Is there a page limit for screenplays?

Screenplays must not be over 125 pages of length. It must be presented in traditional screenplay format.

Can writing teams apply?

Yes! Writing teams of up to two people are welcome to apply.

Any genre?

Yes

Television pilots?
Not accepted at this time - sorry!

Any language?
Yes, but an English translation will be required in order to be considered.

What will each filmmaker (or filmmaking team) earn from going through this program?
Each filmmaker (or filmmaking team) will enter a 7 month development deal with Antigravity Academy starting with the intensive in May and concluding with the period of industry exposure/project presentation. Each filmmaker (or filmmaking team) will be paired with industry mentors and the development team at Antigravity Academy for the duration of the program. Each filmmaker (or filmmaking team) will have around the clock development support from our team and will be able to schedule check-in meetings on an as-needed basis.

As projects approach their presentational stage, Antigravity Academy will assist filmmakers in preparation that includes, but is not limited to: pitch deck construction, pitch practice sessions, and personalized support based on the individual project needs. During the industry exposure week, Antigravity will facilitate meetings with potential producing partners, financiers, talent and reps with the goal to get each project set up to go into production. While the development period with Antigravity will be for 7 months, mentorship for the filmmakers from the Antigravity Academy team will continue indefinitely - You will be a part of the Antigravity Crew.

Who will be the program mentors?
Top industry filmmakers will be paired with projects based on themes, genre, and style. Mentors will be announced in the Spring of ‘24

Where/When will the camp happen?
A private resort in Lake Arrowhead, California from May 24th to May 29th, 2024.

Do I need to pay for anything?
Lodging, travel, program activities and meals at the Intensive are covered by Antigravity Academy.

For the residential intensive, if I require ADA accessibility accommodations, will these be provided?
Yes!

What will happen during the intensive?
You will work with your mentors and the Antigravity Academy development team to elevate your material through workshops, panels, screenings, activities and story-crafting exercises.

What will the subsequent meetings look like?
Online virtual check-ins via Zoom with the Antigravity Academy development team and advisors. There will be a total of 5 virtual sessions happening once a month.

What will happen during the exposure week at the end of the program?
By that time, all projects will have a new draft of their screenplays completed. The scripts and filmmakers will be presented to reps, producers and financiers with the aim to get the projects off the ground. 

Will I give away the rights to my screenplay if I participate in the program?
No.

If Unapologetic Projects considers financing your project, you will enter a conversation with them about the potential optioning of your material.

What does the first look financing deal entail?
All filmmakers participating in the Screenwriters Camp will get a First Look Financing deal with Unapologetic Projects (an independent financing company and frequent collaborator of Antigravity Academy), who will determine, at their own discretion, if they will fully or partially finance each of the films. If they decide not to support a project, the filmmaker will be able to find financing elsewhere.

Will I be required to produce my film with Antigravity Academy?
You will not be required to produce your project with Antigravity. If Unapologetic Projects does decide to finance your film (partially or fully), Antigravity Academy will be attached as producers. If Unapologetic decides to not finance your project, but Antigravity Academy helps you secure financing elsewhere, a producer attachment deal will be negotiated in good faith. If a filmmaker wishes to bring on other production companies onto a project, they may.

Ultimately, the decision will be yours.

If Unapologetic Projects decides to NOT finance a project, what happens then?
If a project is financed by a third party and moves into production, a per - project program investor of $14,000 plus a 20% premium will be recouped from the production budget of the film. Additional 1% of the contingent compensation defined on a favored nations basis with Antigravity for that project.

Okay so what does that actually mean though? Let's break it down.
Typically, movies at this level have a production budget that is funded by independent financiers. The financing company Unapologetic is the primary reason we can offer this fantastic development program, but naturally, they aim to make their money back when they make an investment. One of the program's great advantages is the exposure it provides the selected project to Unapologetic. They will review your project to determine if they're interested in financing your film so it can be made! However, there's a possibility that they might decline to finance it. In such a case, it's your decision if you want to explore and pursue other financing options so your film can be produced. So if your project secures funding without having Unapologetic on as one of the independent financiers (basically if someone else pays for your movie to be made besides Unapologetic), Unapologetic will need to be repaid the money they put into your project while it was at this development screenwriters camp.

But where does the repayment money come from? No need to fret—this repayment will be integrated into the production budget crafted by you and your producer once that time comes. None of this repayment will ever come directly from your own pocket. Instead it comes from whatever independent financiers decide to back your project.

Additionally, 1% of 100% contingent compensation refers to the film's points. A 'Point' is an industry term signifying 1% ownership of the film. This ownership isn't related to creative control or decision-making in the film. Instead, it means that if the film becomes profitable upon its sale, whoever holds a point also profits. For instance, if someone owns 1 point and the film earns $100, that person would make $1.00 - aka 1% of the profit. Therefore, in this scenario that Antigravity Academy is not involved in producing your film, Antigravity Academy would need to be granted 1 point in your project's profit.

What happens if you decide not to pursue making this film? What if your film doesn't get financed?
Nothing would be owed to Unapologetic or Antigravity Academy in this case.

What happens if your film is produced but does not make any profit?
Nothing is owed to any members who own points in a film if it does not make any profit.

Do you have more questions that aren’t answered here?
Please email contact@antigravityacademy.co and we’ll be happy to respond promptly!

SATELLITE SESSIONS


🛰️🛰️🛰️ FREE Monthly Filmmaking Panels 🛰️🛰️🛰️


EP. 1

Finding Representation
As An Emerging Filmmaker


5 leading agents and managers will discuss the state of industry, what to do to get noticed, and ideas for a more equitable and inclusive future. 

EP. 2

The Miracle of Making a 1st Film


Join 5 extraordinary filmmakers as they talk about the many challenges and miracles it took for them to make their first movie. From Academy Award-winners to Sundance Film Festival darlings, this is a group of directors you won't want to miss!

EP. 3

Producers Searching For
New Voices


Producers are instrumental in finding and amplifying stories that may otherwise go untold. Join 5 exceptional producers who have made careers out of supporting emerging filmmakers.

EP. 4

Storytelling for Change


Since the beginning of time, the greatest storytellers have shifted culture by using their influence to inspire change. Join five game-changing film and TV writers discussing how they use their work to advance discussions around important social issues. 


EP. 5

Demystifying Sundance


The Sundance Institute, from its year-round artist programs to the Sundance Film Festival, has been responsible for developing, fostering, and introducing the most singular voices in independent filmmaking for over 40 years. Join five Sundance decision-makers and learn about the processes they follow in order to find and champion the next generations of great storytellers.


EP. 6

Cinematographers and their First Features


The cinematographer of a movie shares creative authorship of a story with directors and writers. They are responsible for translating every single written moment for the screen. Join five world-renowned Directors of Photography as they discuss the beginning of their journeys and how their early projects shaped their distinctive storytelling voice.
EP. 7 recording coming soon
EP. 7

Understanding the Hollywood Studio


Hollywood studio executives are constantly redefining the film industry through their decisive hiring and creative choices. This panel features five trailblazing studio executives discussing their journeys, philosophies as leaders, and their thoughts on the future of Hollywood.


EP. 8

First-Time Filmmakers at the 2024 Sundance Film Festival


Recorded live at the 2024 Sundance Film Festival, Academy Award®-nominated director (“Raya and the Last Dragon”) — and Dolby Institute Fellowship winner — Carlos López Estrada brings together five filmmakers, each with debut feature films in the US Dramatic Competition this year.


EP. 9

No Budget Filmmaking


Recorded live at the 2024 Sundance Film Festival, Carlos López Estrada brings together another all-star panel of Hollywood talent, this time posing the question: Is “No Budget Filmmaking” even possible in this day and age?


ALLIES


🌠🌠🌠 Meet our great friends and change-making orgs. 🌠🌠🌠

The Sundance Institute’s artist programs provide dynamic support at every step of the creative journey for individuals with distinct voices in film and episodic storytelling. Each program consists of labs, grants, intensives, sessions, and ongoing resources for artists to nurture their projects and sustain their careers.
The Dolby Institute was created to educate, inspire, and empower the next generation of filmmakers, musicians and game developers. Through university partnerships and community programs, they’re actively involved in helping new creatives find their voice by expanding access to software, making professional technology easier to use and getting artists the resources they need.
This American Life is a weekly public radio program and podcast. Each week they choose a theme and put together different kinds of stories on that theme. The show reaches more than 3.5 million listeners each week, with 1.6 million listening across 500+ public radio stations.
While most known for its music & record label portions, Unapologetic. is an art & culture ecosystem consisting of visual artists, musicians, clothing designers, event coordinators, and strategists. The idea is simple: the idea of traditional “labels” has expired and they believe in the culture of artistic synergy.
For over 20 years, The National Association of Latino Independent Producers (NALIP), stands as the premier Latine and diverse media organization, addressing the most underrepresented and largest ethnic minority in the country. NALIP’s mission is to discover, promote, and inspire Latine content creators and diverse voices across all media platforms. 
The Los Angeles Latino International Film Festival (LALIFF) is a premiere international event dedicated to showcasing the entirety of human experience from the Latino perspective, whether through film, television, digital, music, art, or any other vehicle, regardless of platform.
Goldhouse is a cultural ecosystem that unites, invests in, and champions Asian pacific creators and companies to power tomorrow for all. They unite, invest in, and promote API creatives and creative projects through the entire lifecycle of the creative process to ensure authentic and affirming representation on and off screen.
Ghetto Film School (GFS) is an award-winning nonprofit founded in 2000 to educate, develop and celebrate the next generation of great storytellers. They teach young filmmakers to develop their voices and give them a platform to tell their stories to the world. 
No Film School, founded in 2010
by award-winning filmmaker Ryan Koo, is the world’s most popular filmmaking website, with over a million visitors every month. They publish the latest news, tutorials, interviews, and
videos to help you become a better filmmaker. The site’s distinct voice has been “by filmmakers, for filmmakers” since the beginning.

Film Fatales supports an inclusive community of women feature film and television directors who meet regularly to share resources, collaborate on projects and build an environment in which to make their films.
IllumiNative is unapologetically ambitious and innovative Native women-led racial and social justice organization dedicated to increasing the visibility of—and challenging the narrative about—Native peoples.
RespectAbility is a diverse, disability-led nonprofit that works to create systemic change in how society views and values people with disabilities, and that advances policies and practices that empower people with disabilities to have a better future. 
Sundance Collab is Sundance Institute’s digital space for artists to learn from experts & build a global filmmaking community
Coverfly is the industry's largest screenwriter talent-discovery platform, connecting emerging screenwriters with literary managers, agents, producers and development executives.
Used by 95% of film and television productions, Final Draft is the first choice for both professional and aspiring screenwriters, producers, directors, and industry executives.


The Los Angeles Times is the largest metropolitan daily newspaper in the country.
The Pulitzer Prize-winning Times has been covering Southern California for more than 142 years.